Wuthering Heights Conflict Essay

As a realist text, records as faithfully as possible the actual life stories of Catherine, Heathcliff, and their families. Additionally, there seem to be local folk tales that demonize Heathcliff and warn of evil ghosts, evidenced by the little boy Nellie meets and “the old man by the kitchen fire” who swears he sees ghosts (430).

As a realist text, records as faithfully as possible the actual life stories of Catherine, Heathcliff, and their families. Additionally, there seem to be local folk tales that demonize Heathcliff and warn of evil ghosts, evidenced by the little boy Nellie meets and “the old man by the kitchen fire” who swears he sees ghosts (430).

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by Emily Brontë integrates the Victorian realist tradition with the ghost story genre, creating a highly realistic portrayal of life, death, and hauntings in the English moor.

The novel presents ghosts as an aspect of reality for both the region and the characters, providing further detail into the events of the story and the social context of the novel.

Heathcliff’s belief that she is still out walking the moors, and Lockwood’s experience with her outside his window, develop Catherine and Heathcliff’s highly spiritual relationship.

Without the existence of the ghost story in is that as a realist narrator, he has the duty to recount the entire story, without leaving any detail out.

The lower class’ fear of ghosts is not just part of the ghost story; it demonstrates how the characters in the novel perceive reality, thus adding cultural detail to the story and enhancing the realism of the work.

In addition to being part of the lower class’ folklore, ghostly visions seem to belong to the moor and the Heights. Catherine’s ghost is strongly associated with the moors, suggesting that the land itself was haunted or prone to visits from the supernatural.

Catherine is especially hard to forget for Heathcliff, who finds himself believing that “on going out I should meet [Catherine]; when I walked on the moors I should meet her coming in” (293).

Even though Catherine is dead, she is very much alive in Heathcliff’s mind, and he expects to find her in the ghostly moors at night.

The followed exchange describes how Catherine is coming from the moor and wants to return home: “‘Let me in — let me in! The vision of a ghost causes Catherine to want to leave the Grange, which is sheltered from the moor, and head towards Wuthering Heights, which is surrounded by the moor.

Thus, Catherine associates the supernatural to the moor.