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Through this unfamiliarity her mental state went rampant with fear thinking that it is a force of horror that was out to harm her. We apologize for any inconvenience, and thank you for your visiting.
She waited for the impact of his death to fully hit her.
Instead, she felt relief at the thought that she was now free from marriage.
As they descended the stairs together, the front door opened and Brently entered the house. Mallard dies upon seeing him, and her cause of death, according to the doctors, was “heart disease -- of the joy that kills” (par. The conflict in the story is the confusion that Mrs.
Not only had he been far from the scene of the accident, but “did not even know there had been one” (par. Mallard feels after learning that her husband has died. Mallard spends a few minutes in mourning, upset by the unexpected departure of her husband.
The following examples juxtapose a series of inarguable topics or fact statementsones that are merely factual or descriptivewith thesis statements, each of which makes a debatable claim about the topic or fact: "The Blind Man," "Cathedral," and "The Lame Shall Enter First" feature protagonists who learn about their own emotional or spiritual shortcomings through an encounter with a physically handicapped person.
In this way, all three stories invite us to question traditional definitions of "disability."Creon and Antigone are alike in several ways, especially the inconsistency of their values and the way they are driven by passion below the surface of rational argument. This does not mean, however, that they are equally limited in the values to which they adhere.Though the precise location is never revealed, the views of women and the prevalence of railroads suggest that the story occurred in the late nineteenth century.The main character is Louise Mallard, a young woman who “was afflicted with a heart trouble” (Chopin par. Brently Mallard is Louise’s husband and is believed to have perished in a railroad accident.She would be able to live by herself and do as she pleased without being selfish in her marriage. Mallard embraced this freedom that she knew she should not have been celebrating.Kate Chopin’s story sheds an intriguing light on the oppression that some women, especially in the 1800s, felt toward marriage. Mallard died at the end of the story, she did not die out of shock that her husband was alive, but from watching her freedom slip through her hands.Even though she loved her husband dearly, and he had been a devoted man, she was little more than property to him. Mallard could never condone divorcing her husband since the duty expected of her by society was to be a wife and mother, so when she thought that her husband had died, she knew that her liberation would be acceptable.Just as quickly as she had gained that freedom, though, she had it taken away and replaced with a new freedom: the permanent liberation of death.Mallard’s emotions as she is saddened yet joyful of her loss.Kate Chopin’s “The Story of an Hour” argues that an individual discover their self-identity only after being freed from confinement. Mary Whitlock Blundell, "Helping Friends..." (ch.31) An effective thesis enables the reader to enter the essay with a clear sense of what its writer will try to prove, and it inspires the reader with the desire to see the writer do it.