She embodies the spirit of her namesake, Sechita, the Egyptian goddess of creativity, love, beauty and filth from the 2nd millennium.The lady in brown describes falling in love with Toussaint L'Ouverture finding Toussaint in the library near the train tracks.Tags: Debord Thesis 17Myths Of The Origin Of Fire An EssayArgumentative Essay Peer Review FormEssay Writing In MandarinApa Literature Review Purdue OwlSouthern Miss Application EssayEssay Outline For A Rose For EmilySoft Play Business Plan
On her journey the lady in brown meets a young boy whose name is Toussaint Jones.
The lady in brown feels likes she's met her real-life Toussaint and she leaves with him. She takes "those especially schemin/ tactful suitors" to go home with her.
The lady in yellow says it was graduation night and she was the only virgin.
She was out driving around with her male friends who she has known since the seventh grade in a black Buick, laughing about graduation.
As a choreopoem, the piece is a series of 20 separate poems choreographed to music that weaves interconnected stories of love, empowerment, struggle and loss into a complex representation of sisterhood.
The cast consists of seven nameless African-American women only identified by the colors they are assigned.
Shange admitted publicly to having attempted suicide on four different occasions.
In a phone interview conducted with CNN, she explained how she came to the title of her choreopoem: "I was driving the No. Then I put that together to form the title." The colors of the rainbow then became the essence of the women in the choreopoem.
Shange originally wrote the monologues as separate poems in 1974.
Her writing style is idiosyncratic and she often uses vernacular language, unique structure, and unorthodox punctuation to emphasize syncopation. in a way that mimicked how real women speak so she could draw her readers' focus to the experience of reading and listening.